Surrealism and Symbolism

Exhibitions

Exhibitions

 

Exhibitions and Publications

Born in 1975 in Sydney, Australia
Lives and works in Sydney.

Education
Doctor in Philosophy, Faculty of Architecture, Design & Planning, Sydney University.

 


Solo Exhibitions
2013
“On the Softness of Meaning”
Barthe House Gallery, Sydney.

2004-2
“Body”
Global Gallery, Paddington, Sydney.

“Summer Horizons”
Global Gallery, Paddington, Sydney.

"Everytime I close my eyes” 
Global Gallery, Paddington, Sydney.

2000
“Lures” 
and performance of “Trio for Violin, Cello & Flute” 
Albert St Gallery, Sydney. 

1999-8
“Waterfall” 
Coventry, Paddington, Sydney.

“The Bard” 
Coventry, Paddington, Sydney.

1997-6
"One Tree Forest”  
Atelier Caminade”, Youen Arts, Brussels.

 

Group Exhibitions
2013
“A Room An Eye”

Installation with Ross Anderson & Kevin Liu. Expanded Architecture, The Rocks, Sydney. 
https://www.brokendimanche.eu/non-fiction/#/expanded-architecture/

2011
“After Images”  
Boutwell-Draper, Redfern, Sydney.

2008
“Untitled (Tree House)” 
with Tom Heneghan, Shoko Seyama & Haris Dzonlagic. 
Venice Architectural Biennale, Venice.
See exhibition catalogue: Durbach, Frost, et.al., 2008. Abundant. (AIA, Barton ACT).

2000
“Directory”   
Obscura Gallery, Sydney.

1999-8
"Diary Show” 
Coventry, Paddington, Sydney.

1997-6
“Australian Connection” 
Abbaye de la Foret, Brussels.

 

Publications
2012
“Delirious Catalysis”
Horizonte 5 - Fetisch, pp. 123-128.

“Paranoiac Critical Interiorisations”
IDEA Journal 2012, pp. 60-71.
http://idea-edu.com/wp-content/uploads/2013/12/IDEA-journal-2012_Full.pdf

“On the Edibility of Theatres” 
Youtopia – A Passion for the Dark, D. Rheinhardt Ed., Project Freerange, Melbourne, pp.35-42.
https://issuu.com/iainblampied/docs/youtopia-ebook/18

2009
The Nearness of Texture: Apparent depth in the Oil Paintings of Velásquez and Vermeer” 
11th Congress of the International Colour Association.
http://www.coloursociety.org.au/csa/aic/papers/0909015Final00510.pdf

 

Public Talks
2014
“Domesticating the Modernist Body: Salvador Dalí’s Anti-Modernisms”  
Paperweight Radio, London, UK.

2012
“All Things Come to Be in Accordance with This Logos”  
Macleay Museum, Sydney University.

 


BHG_simon_final_highres-60.jpg

From “On the Softness of Meaning” exhibition
at Barthe House Gallery:

Oil on linen and copper panels
set into custom-made
velvet and hardwood frames.

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